Villa
STUZZI
STUZZI
 

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Stuzzi, the moniker of Stockholm-based multi-instrumentalist Linus Hasselberg, has carved a unique niche for himself on both the Scandinavian and European music scenes. His eclectic mix of disco, cumbia, house, funk, and rave, combined with unpredictable and high-energy live performances, offers a rare and mesmerizing live experience.

Since his 2022 debut with the track “chilibanana” on Villa, Stuzzi has released several EPs that have garnered significant attention from press and radio alike. His first two EPs, Le Fruit Disco (2022) and Le Fruit Disco II (2023), landed him on the cover of international playlists and led to festival appearances across Scandinavia, including an electrifying show at Way Out West. In October 2023, he was nominated for Sweden’s Radio P3 Gold’s “Future Artist” award, and in 2024, he received his first nomination at the Grammisgalan (the Swedish Grammy Awards) for “Best Electronic/Dance.” He also earned a Manifest Award nomination for “Composer of the Year.”

Stuzzi’s third EP, The Lost Carnival Tapes (2024), continued his exploration of carnival sounds with seamless precision. His most ambitious project to date, the two-part EP series The Driving Towards The Sunset Tapes, began with the first installment in January 2025 and concluded with The Driving Towards The Sunset Tapes II on May 28, 2025. This final EP expands his already eclectic soundscape with guest artists like Bruno Berle, Diane Emerita, and Amanda Bergman of Amason. The track “santa helena” features poet and artist Joshua Idehen in a spoken-word-driven epic, while “ishioo” sees Moonica Mac lending her voice to a soft, floating song.

As a producer and musician, Stuzzi has worked with some of Sweden’s most prominent artists, including Cleo, Moonica Mac, and Salvatore Ganacci. His tracks have also been featured in DJ sets by renowned artists like Jamie xx and Axel Boman. Stuzzi’s musical universe is boundless, and he effortlessly switches between multiple languages while blending a wide range of genres.

 
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